Art from code - Generator.x
Generator.x is a conference and exhibition examining the current role of software and generative strategies in art and design. [Read more...]
 
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Alex Dragulescu: Extrusions in C major (detail) / Blogbot (detail)

[Read pt.1 for completion] Dragulescu’s Extrusions in C major uses music as its input, specifically the “Trio C-Major for Piano, Violin, and Cello” by Mozart. Here the artist rigorously describes his mapping: Different colors represent different instruments, while each segment of the fragmented forms represent a single note, with characteristics such as velocity and duration controlling the development of the form. The final form represents the temporal structure of the piece.

Blogbot and related projects Havoc and Algorithms of the Absurd represent a slightly different approach with a performative flair. Blogbot generates “experimental graphic novels” from content found on blogs. Texts are presented as though being read, appearing line by line accompanied by visual icons.

The online example What I Did Last Summer appropriates pixellated images of war machines and soldiers taken from computer games. They are then used to illuminate a narrative of fragments from two blogs relating to the Iraq war. One is by an American soldier and contains details of raids and military maneuvers, the other is the famous blog of Salaam Pax, the Baghdad Blogger. The introduction of temporal and graphic aspects to the text turns it into a performed narrative. Simultaneously, a graphic composition of increasing complexity is created as the text grows on the canvas.

Lev Manovich speaks of data visualization as the New Abstraction (see Data Visualisation as New Abstraction and Anti-Sublime, Word DOC file). In this context Dragulescu certainly presents an interesting take on info-aesthetics, with complex data sets being appreciated for their structural beauty alone.

Alex Dragulescu is from Romania and currently leads the Experimental Game Lab at the Center for Research in Computing and the Arts at University of California, San Diego.

3 Responses to “The data worlds of Alex Dragulescu, pt.2”
1. mitchell, August 29th, 2006 at 13:08

Along similar lines, see also Data Art – Some Questions on (the teeming void).

2. watz, August 29th, 2006 at 23:08

Thank you, Mitchell, I actually forgot I had seen that. I\’m afraid I had skimmed it quickly while running through my RSS feeds.

This is a topic of some interest to me. Some of the works that you mention (Fry etc.) bring up the question of the intention behind some of the visualization works that are created in the context of scientific or design practice, but which are often presented (hence understood) in an art context. How does this impact the understanding of the work? Manovich points out that these days data visualizations can provoke more emotional reactions in audiences than a lot of more conventional art objects.

One of my favorite artists in this respect is Jason Salavon (see this previous post). In his work Shoes, Domestic Production, 1960-1998 meaningful statistics about shoe production in the US are intentionally reduced to meaningless but beautiful mandalas of color. It is an ironic comment on visualization as art.

3. We need money not art, October 10th, 2006 at 11:10

The data worlds of Alex Dragulescu, pt.2/ Alex Dragulescu的数据世界 第二部分

Alex Dragulescu: 喷涌C大调(Extrusions in C major) / 博客爬虫(Blogbot)
[你应该先阅读第一部分] Dragulescu的喷涌C大调以莫扎特的钢琴,小提琴,大提琴三重奏为输入端,这里艺术家阐述了详细规划…

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