Comments on: Sound as object

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By: Cylinder – Andy Huntington and Drew Allan « Bite This

Cylinder – Andy Huntington and Drew Allan « Bite This — Fri, 04 Jun 2010 05:25:46 +0000

[...] Cylinder Andy Huntington Drew Allan Via: Generator.x [...]

By: Pj

Pj — Wed, 24 Feb 2010 19:06:53 +0000

wow! I like it

By: cheapjack's soup

cheapjack's soup — Mon, 15 Feb 2010 18:26:17 +0000

(Image)…

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By: Musical Language « Soundscapes

Musical Language « Soundscapes — Mon, 16 Nov 2009 08:23:31 +0000

[...] http://www.generatorx.no/20090811/sound-as-object/ [...]

By: Sound Sculptures: Rendering Sounds in Tangible Forms | thegraffik | Design and Illustration

Sun, 08 Nov 2009 00:48:06 +0000

[...] See also Sound Chair, Laser-Cut Sound Sculpture and Sound of Light Sculpture. Via Generator.x. [...]

By: RENDERIZAR SONIDOS. TRANSFORMARLOS EN TANGIBLES. « PLANTA_0

RENDERIZAR SONIDOS. TRANSFORMARLOS EN TANGIBLES. « PLANTA_0 — Wed, 04 Nov 2009 17:53:33 +0000

[...] http://www.generatorx.no/20090811/sound-as-object/ Etiquetado con:ARTE, CIENCIA, IMAGEN deja un comentario « MAPA DE LIBROS [...]

By: New Course: Design, Sound, and the Sound Object, Spring 09 - Peter Kirn

New Course: Design, Sound, and the Sound Object, Spring 09 - Peter Kirn — Tue, 03 Nov 2009 05:58:52 +0000

[...] like these recent shows blogged by (and exhibiting) Marius Watz on the fantastic Generator.x: Sound as object Frozen: Sound as [...]

By: thomas

thomas — Tue, 27 Oct 2009 17:06:17 +0000

With parametric methods, data becomes a post-generative tool for analysis, as opposed to a pre-generative condition (as in Classical compositioning). Subjective forms are stretched, kneaded, and twisted, after which data analysis determines its success or failure compared to a desired base line.
This project,however, returns to the Classical methodology of allowing data itself to determine form, even while using digital technology to do so. It is a good reminder of the potential strength of both methods. As you mentioned however, the data currently lacks meaning, or interpreted spatial significance. As designers, this problem should be our first priority, moving from method to theory.

By: Leave No Trace » Everywhere you go, you take the weather with you – Crowded House

Tue, 13 Oct 2009 10:52:12 +0000

[...] Mitchell Whitelaw, writing as [the teeming void], has posted an interesting article about creating physical, wearable jewellery designed in Procesing using weather data. I quite like the resulting bracelets, but I’m fascinated by the idea of physically incorporating data. There must be many other potential uses of this technique. [...]