Brandon Morse: Achilles, 2009
In “Achilles” we are presented with a collection of rigidly modeled three-dimensional grids, recalling the skeletons of tall buildings. Suspended in space and rendered in monochrome, they at first appear stable and solid. This illusion is broken as the forms begin to deform and collapse, their networks of vertices and lines collapsing as a result of simulated gravity.
Brandon Morse exploits the digital simulation of rigid body physics to construct static tableaux, only to be destroyed by inevitable collapse towards entropy. He makes no attempt at photorealistic trickery, simply allowing the event to unfold without adding any expressive affect. His compositions recall the formal language of minimalist sculpture, updated to include simulations of kinetic behavior.
This text is taken from the NODE10 catalogue, written by Eno Henze and Marius Watz and edited by Valérie-Françoise Vogt. Please read the introductory curator text for an overview of the exhibition topic.